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This is a really important point, and it'll probably justify its own blog post soon, but a quick response would be this:

I'd class United 93 and Black Swan as being, sort of, emotionally exhausting. And yes, I'm not going to rush out see them again. But that's very different to saying they're a bad film. I would suggest that, at high levels of quality, low levels of rewatchability makes it actually a better film, in a way.

Or, at least, it differentiates them from another terrific film like The King's Speech. If you're the kind of person who likes watching beautifully constructed but largely enjoyable films, your tastes will tend toward the top-right of the graph. But, if you enjoy more difficult or harrowing films, your favourite films might be lower on the rewatchability score, on average.

My point is, while quality is quality, a measure of skill and talent, rewatchability is personal, and groups similar films together in interesting ways. Where your favourite films come out on the graph is really not important to anyone but you, when you're looking for more stuff you like.

You may still disagree, but thanks for taking the time to comment :)

-glen.



Glen it basically comes down to a genre by genre breakdown I think. If you're looking for a comedy which should inherently have high rewatchability, if any are rated as low then I can assume I should avoid them. For example, in college my buddies and I alternated watching 40 Year Old Virgin and Grandma's Boy for an entire semester. Neither would have the best quality ratings, but they were fun and sure had high rewatchability.

Now take the other end of the spectrum of film like Black Swan or even some slower paced films. I love 2001 A Space Odyssey but am not rushing to rewatch soon (though it has top quality) because it is way too slooow for me. Or take some dramas that while interesting on first glance don't really merit another watch.

Basically I think you should start with a top down approach by genre, and if something like comedy then the dominant factor is rewatchability but then for others it may be "quality" (which itself could be subdivided further into cinematographic elements for an auteur film, the musical score for a certain type, etc). But I feel like maybe you end up going down a rabbit's hole, so perhaps I'm asking more questions than I'm answering.


I guess then, it depends on execution. If you're combining both of these numbers into one single metric of "goodness", then you'll just be accomplishing Pahalial's point of "legitimizing 'poor taste'". If, however, you can expose this information separately and well, then perhaps it will add value.

Personally, I'd like to break down the "rewatchability" metric into more components, to really get at the heart of the matter, like others here have commented. Pace, quality, fun, emotional impact, length, genre -- these are the things that really matter. But now we're getting into movie geek territory.

Speaking of movie geek -- I can't believe you left out the most interesting thing in that blog post. Where can we see a breakdown of what movies are where in that scatter plot? I want to know what those outliers on the high quality / low rewatchability scale are!


Yeah there's no sense in combining them. Or even averaging scores, really. Using a scatter plot you can get quite a good insight into the film at a glance.

As for which movies are the outliers, that you'll find out when you're a member :)


On your scatterplot, the correlation between the two scores looks incredibly high. By eyeballing it, I'd say > 0.8. Will you give the actual score in your upcoming post?

Ideally, it would be nice to find two axes that are orthogonal and let people rate on those. Clearly these two axes are highly correlated.




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