My random claim to fame; I was the support act (juggler) for Norman Lovett (the red dwarf ships computer), for one night only in the Welsh town of Bangor.
Speaking of which I remember Chris Barrie (who played Rimmer) lamenting some of the filming of Red Dwarf and how he struggled to and gave up on hanging out with Craig Charles (Lister) and Danny John-Jules (Cat) because he'd be tired and ready for bed and they'd just be getting started. And then they'd show up sometimes straight from the clubs to shooting the next morning, or sometimes drunk still, or hungover.
Craig Charles nicked my lighter in Oscar's nightclub in Plymouth in roughly 1991. I wouldn't have minded but it was my Dad's Zippo (RAOC, 7th/11th Armoured Brigade). He asked for a light, wandered off with it and then vanished, whilst I was distracted ahem.
As an American, Red Dwarf along with Hitchhiker's Guide to the Galaxy created a deep appreciation both for British humor and funny sci-fi in my adolescent self. I now own the box set on DVD and even have a random Red Dwarf novel I got at a yard sale (I forget which one of them wrote it though).
RIP Rob! Will be having a vindaloo, lager, and maybe some fish (Fish! Fish! Fish!) later in your honor
(EDIT: 100% talking about the UK version here, had no idea or forgot there _was_ an American version)
> Grant Naylor is a gestalt entity occupying two bodies, one of which lives in north London, the other in south London. The product of a horribly botched genetic-engineering experiment, which took place in Manchester in the late fifties, they try to eke out two existences with only one mind. They attended the same school and the same university, but, for tax reasons, have completely different wives.
> The first body is called Rob Grant, the second Doug Naylor. Among other things, they spent three years in the mid-eighties as head writers of Spitting Image; wrote Radio Four's award-winning series Son of Cliche; penned the lyrics to a number one single; and created and wrote Red Dwarf for BBC television.
> They have made a living variously by being ice-cream salesmen, shoe-shop assistants and by attempting to sell dodgy life-assurance policies to close friends. They also spent almost two years on the night shift loading paper into computer printers at a mail-order factory in Ardwick. They can still taste the cheese 'n' onion toasties.
Yeah the first two novels were credited to their "Grant Naylor" partnership, and they're both excellent.
After that, they each wrote an additional Red Dwarf novel individually / separately. Personally I've never come across those last two novels, although I always check for them whenever visiting a used book store. Maybe they were only released in the UK. They're available on Amazon in the US, but I haven't quite given up hope on stumbling across them naturally yet...
I’ve read both. It’s been years but Grant’s, Backwards, was notably better than Naylor’s, Last Human.
Backwards spent the first section of the book in the backwards universe, over years. It’s has an interesting exploration of the implications of that universe. By comparison Last Human wraps that up in a few pages and spends most of its time dealing with android assassins.
I can't remember why I opened a cupboard door, although I recently came across Cerulean blue in an art shop which after much googling got me to the X files episode that I can't have seen since it first aired. memory is indeed weird
I have watched the American pilot, and one thing I found curious was that the two female characters were the most interesting (Cat and the Computer played by Terry Farrel and Jane Leeves who were both in major series - Deep Space Nine and Frasier). Holly/Computer has been female for much of the British series and Cat did work as a female character. Contrast with the British show which was very male except for computer (sometimes) and Kochanski when she became a regular character (Chloe Annette didn't really work. I wish Clare Grogan had been a regular instead.)
Clare Grogan is definitely who I think of. I couldn't really see Chloe Annette being Kochanski, she was miscast and I don't think she got good scripts.
I just don’t think it makes sense having Kochanski as a regular character. Lister’s yearning for a (largely imagined) version of her works so much better.
I agree with you. Kochanski was meant to be a fun loving girl who ended up working on a mining ship and made the best of it, not a stuck up snob who liked to crack bad jokes about the second city of Vietnam. If Kochanski had been the genius that Chloe Annette played then she probably would have found work elsewhere. They did fix CA's version of the character a bit later on.
No sci fi effect has ever given me the same sense of wonder that I got from the shot of the camera slowly travelling over the gigantic ship in the Season 1/2 intro.
Btw: @dang : Grant was the co-creator, alongside Doug Naylor, who is still kicking
The intro was actually strangely eerie/bleak. I felt sorry for Lister (I think it is) out there painting the ship. There was kind of a sadness because he had lost pretty much all his friends and you could feel the vastness of space.
I've said elsewhere on the "Babylon 5" discussion that Kubrick's "2001" has aged better in many ways than Hyams' "2010" which came out many years later. In the same vein, CGI has a nasty habit of aging more quickly than practical effects. There is stuff from the nineties which looks worse than the seventies as a result.
In the case of "Red Dwarf", the genius was in having the ship be an ugly industrial environment in the vein of "Dark Star", "Alien", "Outland" etc. That allowed for sets to be built easily and cheaply. I think some of it was even filmed in a BBC canteen/cafeteria.
I think the main issue with CGI is that it makes it easy to have big space battles, so everything is.
You see this with TNG v DS9. TNG would have one alien ship in an episode at best. It forces you to write story. Come DS9 and you can have 50 bajillion ships on screen so they write a story to make that happen. That isn't necessarily a bad thing, DS9 and B5 are good shows, but I miss the days when Captain Picard would mull over the implications of the prime directive with a cup of tea.
Oh yes. I remember them talking about the script and how low budget everything was. Like even the script was written to try to convince BBC it wouldn't cost much money. I think (paraphrasing) things like:
"We open on the corridor of a space ship. Space Odyssey this is not, no high tech serenity here. No, the is very much an ordinary, boring corridor. It could even have been a corridor in a TV studio..."
As fresh immigrant to USA, watching it on local PBS on the gigantic back projection jumbotron TV someone offloaded on us back in mid-90es, it made a huge impact with its absurdity and silliness.
I sing "Drinking Fresh Mango Juice" every time I get it out of the fridge, and when my wife and I visited Egypt and got room service with fresh mango juices, it was in heavy rotation. And every time I leave and it's cold outside, I tend to sing "It's cold outside!".
RIP
For a brief period there it was fashionable to have fish nibbling at your feet (in the 2010s?). Not goldfish shoals although that is probably what Lister wanted to farm in Fiji.
There was nothing like Red Dwarf on TF (British or American) back then - a laugh-tracked show that could be simultaneously the most hilarious dry wit, not-so-dry bawdy humor, and a compelling and thought-provoking sci-fi action-adventure all at the same time.
I fell off it after they had that comeback season roughly in 2000 where the whole ship got revived. Then I saw a few clips from a later season where everyone was pretty schlubby. I'll need to track down some way to re-watch the whole thing.
Very on topic: Rob Grant left the show after the sixth series. I think the lack of his influence was immediately apparent, a lot of the depth was lost. Like how the transition from series 2 to series 3 got a lot more action-y, 6 to 7 started to lean more on established tropes etc (IMO).
Also of note: Grant and Naylor wrote a series of Red Dwarf novels that were surprisingly good. They really fleshed out a lot of the character behind Lister and Rimmer. One novel goes deep on the concept of Better than Life, a one episode throwaway in the show but expanded to true horror in the novel.
They split (same time as they split on the show) and wrote separate novels in different continuity in the end. IMO Grant’s was notably better.
I watched the whole lot thanks to lockdown. I used to like up until series six or so, but had a look at the later ones. Yes, the actors certainly all look more "lived in" nowadays.
The later series/seasons are very uneven, which surprised me. I stopped watching originally around when Chloe Annette's Kochanski was introduced but I was surprised that instead of a steady decline that the quality was very up and down.
I rewatch it a lot and the only season I skip is 9. There are a couple bad later episodes I'll skip but there are more than a few bangers in the later seasons.
Robert has a whole set of youtube channels on electric vehicles and other renewable technology. It’s quite impressive what he does now but I always see Kryten in him, strange.
He's done a lot of things, but for my money the "Scrapheap Challenge" show was his best.
(This is a show where two teams are left inside a scrapheap and given a day, or so, to build a contraption/device.)
He was just so enthusiastic about all the teams, and seemed genuinely interested in both the design, the building, and the performance of whatever it was they were being challenged to build.
But I can't say I've ever heard of that before, or seen any. I used to watch the UK series while having lazy breakfasts every Sunday morning with my then-partner.
It's a pretty funny sci-fi book, similar dry wit.. I picked it up at a yard sale only because it said "from the creator of Red Dwarf" even though I mostly only knew of the show through others..
You are. It's Arnold's first attempt at being/becoming Ace. He stumbles over the phrase, and the "old" Ace tells him he was once like him too, and "there's an Ace inside you, too" (Lister/Cat, I can't remember which: "Yeah, so deep he's been buried..." or something to that effect).
Robert Llewellyn is just a lovely person in general. He now produces a YouTube/TV show about electric cars, but his outtakes from Red Dwarf are delightful. He stays mostly in character during the outtakes (perhaps that's easy in the suit) and he's very funny.
> Working together under the name "Grant Naylor", the creators of the series collaboratively wrote two novels. The first, Infinity Welcomes Careful Drivers, was published in November 1989, and it incorporates plot lines from several episodes of the show's first two series. The second novel, Better Than Life, followed in October 1990, and it is largely based on the second-series episode of the same name. Together, the two novels provide expanded backstory and development of the series' principal characters and themes.
If you haven't read the books, please do yourself a favour. They are far far better than the series, have much more depth and have not dated as badly. I loved Red Dwarf when it was on TV (jesus, I was 12 years old..) but I find it a little hard to watch now. Some parts are still great though.
What a life I’ve lived.
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